How to be good in the room – remotely
If the sync is wrong, the sound is wrong. Even when the timing in your dialogue or Foley track is off by a second, you can lose your audience. This is why remote review sessions without the right tech setup can create all kinds of headaches for you. Download this guide to read what two leading sound professionals say about:- how to make sure your mixes are heard in all their glory, even from afar
- how to make the most of critical touch points with your director
- working around the technical challenges of remote ADR
- recreating that real-time, ‘in-the-room’ review environment from afar
