How to be good in the room – remotely
When production wraps, all eyes turn to you, and everyone’s got an opinion. It’s also the point in the process when creative teams disperse, so you’re often collaborating with directors or DPs in remote locations. Download this guide to read what experienced editors say about:- recreating that real-time, ‘over-the-shoulder’ review environment from afar
- getting clear, actionable notes from directors wherever they are
- using critical touchpoints with your director to present them with alts
- why the technical barriers of remote review sessions are thing of the past